
A couple of weeks ago AfterEllen.com ran an article on a movie called “The art of being straight” (the movie, in short, is a comedic drama about two college friends questioning their careers and sexuality in east Los Angeles). Read it here. The trailer looks interesting.
Apparently, Salon.com’s Andrew O’Hehir posted his review earlier today:
You have to hand it to writer, director and actor Jesse Rosen, who has managed to make his debut film, a pleasant but completely familiar post-collegiate, welcome-to-the-big-city indie comedy, into a minor news event. Barely feature length at 67 minutes, “The Art of Being Straight” follows Jon (Rosen), a 23-year-old with a Casanova reputation, to a new life in Los Angeles. He’s living with his standard-issue homophobic-dude roommates but working at an ad agency, where he gets hit on by his studly gay Latino boss (Johnny Ray Rodriguez). To his own surprise, Jon goes for it and pretty much digs it. But the next day he does the deed with that slutty chick who was diggin’ him at the pool hall, and … wait! Is he gay but overcompensating? Is he straight but foolin’ around? Or is there — gasp! — another possibility, somewhere between 100 percent hetero and full-on homo?
I don’t mean to be snide. OK, I do, a little: It just seems that every generation has to discover for itself that sexuality hardly ever fits all the way inside our preordained envelopes. (I am so immeasurably much older than Rosen that I came of age during the David Bowie era, when it was socially beneficial to pretend to be bisexual, especially when you weren’t.) The frankness and sincerity of “Art of Being Straight” is infectious, and Rosen gets some nice performances, especially from Rachel Castillo as Jon’s pot-smoking, lesbian college pal who’s feelin’ the unexpected hots for the hipster guy next door. But if you’re going to make the “bisexual movie,” it badly needs some actual sex appeal, which both includes the on-screen bodies and transcends them. This one is just bland and pretty after the fashion of so many L.A.-made indies; it could be a viable industry calling card, but it lacks the erotic undertow and cinematic verve of the mainstream TV series Rosen thinks he’s mocking. (Now playing in New York. Opens June 12 in Los Angeles, with other cities and DVD release to follow.)



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